Selecting artworks for 2017 calendar…. Tasmania from my Brush


I have been looking over artworks I have done in the post year and selecting 12 (plus one for the cover)  for a 2017 calendar with the theme Tasmania from my Brush. I wanted variety within the cohesion of Tasmania, generally with locations identifiable to some degree.  Then there is consideration of selecting ones that will fit with the format of the calendar (though the silk fire one will have extra space either side, generally I chose landscape format). They also need enough contrast to print well. These are half of the works  I will use.

nelson-bay-evening-tarkinecoastwatercolour Nelson Bay, Tarkine Coast SOLD

quartet-watercolour  Quartet

tarkine-inferno-silk-painting        Tarkine Inferno SOLD

 

tesselated-pavement-watercolourTessellated Pavement, Eaglehawk Neck

 

the-western-tiers-watercolour The Great Western Tiers

 

tors-mt-wellington-watercolour Tors, Mt wellington

 

OLYMPUS DIGITAL CAMERA Sarah Anne Rocks, Tarkine Coast

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New from the Easel…. watercolour, Encaustic and Acrylic


1945

“1945” Encaustic incorporating photos (photo transfer) dad took in Hiroshima immediately after the dropping of the bomb in 1945. Also incorporated  is a photo transfer of a copy of the peace treaty he was given as a witness to its signing. I do not do many historical works but this is special. For many years I had been wanting to do an artwork based on dad’s experience but could never find the right medium….. until I discovered encaustic art. Perfect to suggest the devastation and the age and I could use copies of his actual photos. On display at Burnie Regional Gallery, Tasmania as part of Burnie Coastal Art Groups. TasArt exhibition.

after-the-fires-2016

After the Fires, 2016″. Encaustic. I finally finished this work, started some months ago. Tasmania experienced unprecedented fires in 2016 and returning to some of the charred wilderness areas I find they are both sad and hauntingly beautiful. That is what I aimed to relate in this wax work. Setting fire to shellac on the surface, gives another link of the artwork’s creation and the fires we experienced. On Display at the Tasmanian Art Awards at Eskleigh, Perth Tasmania, first weekend November 2016.

nelso-bay-sunset

“Quiet Times, Nelson Bay, Tarkine Coast”.  Watercolour. It had been a wet day but on dusk the rain cleared and soft colours were so soothing. A quick photo shoot to record the changing light and later in the studio this watercolour took me back to the moment. 

struggle-for-survival

“Struggle for Survival, Sarah Anne Rocks, Tarkine Coast”. Acrylic with texture paste on gallery stretch canvas. I did this work earlier this year but felt the bleached log was too stark so recently re-worked that. Happier now as the red lichen takes on a more important role. The branch and bleached twigs are skeletons decaying, but rotting down they provide nutrients for the native geranium in its own pocket. Lichen is an amazing organism which is incredibly well adapted to harsh conditions such as here on Tasmania’s West Coast. On display at TASART Burnie 2016

wedge-tail-eaglein-the-treetop

“Tree top Eagle”, watercolour. The eye was improved after taking this photo. A small work makes it tricky to do the eye detail Sold

wip-eagle

WIP. Wedge Tail Eagle. Watercolour.  Contrasting with the “wildness” of encaustic I have also enjoyed doing some careful illustration of birds over the past couple of weeks.” Ihis will be on display at my stall at the Tasmanian Craft Fair, Deloraine,  Nov 3 to 7th, 2016

Acrylic paintings with texture (rocks)


I love geology and looking at patterns in rocks, their colours and textures. As well as the scientific observations I do enjoy doing paintings of rocks. Tasmania’s  (Australia) North West and West Coast are wonderful spots for inspiration for rock based paintings. These 3 are all painted in acrylic (Atelier Interactive) on Canvas board (10×14 inch = 25.4×35.6cm). I have used Matisse modelling compound (my preferred of the many texture media I have tried) to achieve textural effects in the 2 Tarkine works.

To apply the paint and medium I have used both brushes and palette knives.

Top left: Kings Run, Tasmania’s Tarkine Wilderness  (SOLD)                 Bottom Left: Goat Island , Penguin Coast Rd, NW Tasmania ($100)        Right: Red Lichen, Sarah Anne Rocks, Tasmania’s Tarkine Wilderness ($100)

Painting Tasmania’s Coastline…. works in progress


On the easels in the studio I am back to a favourite subject… Tasmania’s coastline.
These both been started as demonstrations for students working on canvas. The large Bluff Point one is a scene which I have painted before. I want a painting of this for myself but the 4 I have done so far (oil miniature, larger acrylic on canvas and 2 quarter sheet watercolours have sold…. maybe this one will stay with me…. of course I don’t have to put them out for sale but I do like to share my creations). The source photo is one of my favourites, taken on a day when it had been raining, then the sun shone brilliantly while still the sky was dark to the west. We walked for ages towards the water along a gouged track in the sand. Such contrast of colours and the wonderful fresh air of our “wild west” coast. As I write this I can feel our rugged coastline beckoning again…. instead I will go to the studio and try to capture those intense feelings on canvas.

Bluff Point unfinished

Bluff Point unfinished


The second work is almost complete but will have a she oak (Casurina) on the lhs. I have pencilled this twiggy, wind blown specimen in. Such vegetation is typical of our coastal areas and its many little twigs are a contrast to the sweeping curves of the beach and sand beyond. I was happy with the broken shells and pebbles to the fore…… as I look I can “feel” them under my feet and you do sense they are on a raised area above the sweeping
Bakers Beach Tasmania unfinished... acrylic on canvas

Bakers Beach Tasmania
unfinished… acrylic on canvas

beach. Bakers Beach is a magnificent long stretch near Devonport Tasmania. Part of the State National Park System it is a haven for wildlife (wombats abound and there is a large area for waterbirds). Often there are few if any people on the beach this side of Griffith Point……. you can walk along and sing with the wind and no-one will even know. Love it.

New works….Great for Mother’s Day Gifts


These works are examples of what can be purchased at the Makers Workshop in Burnie in the next two days. Then some will come back to the studio. A few will replenish stock at On TRAK at the Visitors Centre in Sheffield on Thursday…. and of course you can contact me to order…all easy to post. Each is an original unique artwork, not reproductions/printsDSCF4214

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HANDMADE... not just purchased bits glue together

HANDMADE… not just purchased bits glue together

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sky photos


I have been looking through old photos of skies to select some for Saturday’s watercolour workshop.

soft sunset at Leith, Tasmania

soft sunset http://www.facebook.com/EvAntArtTas?ref=hl Leith, Tasmania


see more photos on my Facebook business page http://www.facebook.com/EvAntArtTas
or go to Facebook and search for EvAntArtTas. Please like Evelyn Antonysen at Forth Art Studio on Facebook

Opium Poppy Fields, Tasmania


Before Deloraine Craft Fair I started this painting of the poppy crops near Deloraine with Quamby Bluff in the background as my entry in the Launceston Art Society Meandering exhibition 2012. I did not think I really had much left to do to finish it but have spent the last two days on it and there is still much to do to pull it together. Lunch and a cuppa then back to work. To deliver Monday… just as well acrylics dry quickly.

A Sea of White

I do love poppies of any type and the pink to mauve to white carpet make this important and valuable agricultural crop a bonus in its aesthetic appeal. A real drawcard for artists, photographers (a breed of artists) and tourists. I have hundreds of poppy photos but will no doubt still feel compelled to take more this summer.