Tasmania’s Tarkine Wilderness…. Art


2017 was the third year of a gathering of creative people (about 150 artists) in Tasmania’s Wilderness…… Takayna (the Tarkine), on the rugged West Coast. This unique area should be offered more protection by affording it National Park status, not to “close” it to visitors but to maintain its environmental and heritage values so that future generations can enjoy it as we do. Art is a language which we hope will give more insight into the inherent value of Tarkayna.

An exhibition of works is currently on display at the Long Gallery in Hobart, Tasmania showcasing artworks created. These are my entries in that exhibition , along with the promotional invitation

“South of Temma”, Acrylic, charcoal and sumi ink on colour fix paperSouth of Temma smaller file

“Coast”, Encaustic

Coast

3 sets encaustic bracelets and matching pendants…. all SOLDEncaustic art in jewellery settings

“Enchanted”, encaustic,Enchanted

“Layered”, Encaustic SOLDlayered

“Tarkine Treasure: Trowutta Arch“, pigment ink on Vellum, miniature. SOLDTarkine Treasure Trowutta Arch

Promotional flierTim 2017 advertise

“Turmoil”, encaustic. Turmoil

“Unleashed”, acrylic on stretched canvasOLYMPUS DIGITAL CAMERA

Fine art originals (encaustic paintings) in jewellery settings. “Day’s End”. SOLDWearable art Day's End

Fine art originals (encaustic paintings) in jewellery settings. “Sarah Ann Rocks”. SOLDWearable art Sarah Ann Rocks

Fine art originals (encaustic paintings) in jewellery settings. “Rain Forest”. SOLDWearable art Rainforest

Serendipity… encaustic painting


Every year Tasmanian Regional Arts has a themed competition open to female artists. This year’s theme was Serendipity (entry was in 2016 for the 2017 exhibition). I am proud that for the fourth year in a row I am one of the finalists with a work titled “Les Femmes”. Accompaning the work is an artist’s statement, addressing the theme.

Les Femmes 2016 Encaustic $230

Les Femmes

“SERENDIPITY”. My favourite word.

In my art serendipity is perennially evident…. the flow of wet in wet watercolour, spattering, spraying and working in partnership with the medium to see what evolves. Fluidity and serendipity…. they go hand in hand in much of my creative, non-illustrative, art. With my students I also encourage them to be brave, go with the flow and enjoy the serendipity of some styles of art.

I have worked with encaustic waxes with the little craft iron in craft work for a few years but this year went to a workshop in NSW to do larger works on board with encaustic medium brushed on and using a flame (heat gun), incorporating oils, and even setting fire to shellac on the surface. “Art-alchemy” and what wonderful fluidity and serendipity as forms emerge out of the coloured, molten surface. A degree of control, decision making about scraping back and other approaches but enjoying the serendipitous nature of this new medium.

In this work, “Les Femmes”, female forms emerged….. …….2016, an exciting new, fluid medium, suggestion of female, and the theme of Material Girl….. serendipity indeed!!!!

Post Script…. unfortunately TRA will cease due to cut in government funding. Sad for the art world of our tiny island state.

Art Fair Preparation…. watercolours


I have been taking my art to theTasmanian Craft Fair at Deloraine in Tasmania for more than 10 years. Although I sort of know what to do, I always find that towards the end I am coming up with heaps of ideas but not enough time to act on them. Not as many watercolours this year but I do probably have  enough (except for flowers), and today I have been cutting matts, wrapping in cello (close fitting bags when possible) and pricing (now that is tricky). Hint: re cellophane…. I always use the top quality PR range as it is crystal clear and sturdy. Here are a few of my latest watercolours ready to go to new homes. (available as early bird purchase)

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Loose style figures add life and umbrellas are great for colour. As the artist you can choose whatever colour umbrellas you want. I love the way the lady in the yellow jumper looks a little cautious in the wet, while the lady is the green jacket does not seem to worry.

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I used the cling wrap technique here to get some of the light patterns. Throw colours on, use the wrap.remove and decide what it wants to be. I love this imaginative style of working as you never know what will emerge from the surface.

14469504_10210859073016057_3762184397338935727_n SOLD

I visited Melbourne this year in late Autumn, early Winter, hence this street scene and the rainy day umbrella ones. I want to go back again for more inspiration. The flickers of white (unpainted  spots of the paper’s rough surface (300gsm Saunders Waterford rough), suggest sunlight.

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Another rainy day in Melbourne, and another loose style watercolour with flickers of light. SOLD

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Back in Tasmania for this one. My beloved Tarkine Wilderness Coast (Nelson Bay). We stayed for a couple of nights at Arthur R. This was the first evening, it had been raining but on sunset the sky cleared for a while and lovely soft sunset colours said “peace”.

New from the Easel…. watercolour, Encaustic and Acrylic


1945

“1945” Encaustic incorporating photos (photo transfer) dad took in Hiroshima immediately after the dropping of the bomb in 1945. Also incorporated  is a photo transfer of a copy of the peace treaty he was given as a witness to its signing. I do not do many historical works but this is special. For many years I had been wanting to do an artwork based on dad’s experience but could never find the right medium….. until I discovered encaustic art. Perfect to suggest the devastation and the age and I could use copies of his actual photos. On display at Burnie Regional Gallery, Tasmania as part of Burnie Coastal Art Groups. TasArt exhibition.

after-the-fires-2016

After the Fires, 2016″. Encaustic. I finally finished this work, started some months ago. Tasmania experienced unprecedented fires in 2016 and returning to some of the charred wilderness areas I find they are both sad and hauntingly beautiful. That is what I aimed to relate in this wax work. Setting fire to shellac on the surface, gives another link of the artwork’s creation and the fires we experienced. On Display at the Tasmanian Art Awards at Eskleigh, Perth Tasmania, first weekend November 2016.

nelso-bay-sunset

“Quiet Times, Nelson Bay, Tarkine Coast”.  Watercolour. It had been a wet day but on dusk the rain cleared and soft colours were so soothing. A quick photo shoot to record the changing light and later in the studio this watercolour took me back to the moment. 

struggle-for-survival

“Struggle for Survival, Sarah Anne Rocks, Tarkine Coast”. Acrylic with texture paste on gallery stretch canvas. I did this work earlier this year but felt the bleached log was too stark so recently re-worked that. Happier now as the red lichen takes on a more important role. The branch and bleached twigs are skeletons decaying, but rotting down they provide nutrients for the native geranium in its own pocket. Lichen is an amazing organism which is incredibly well adapted to harsh conditions such as here on Tasmania’s West Coast. On display at TASART Burnie 2016

wedge-tail-eaglein-the-treetop

“Tree top Eagle”, watercolour. The eye was improved after taking this photo. A small work makes it tricky to do the eye detail Sold

wip-eagle

WIP. Wedge Tail Eagle. Watercolour.  Contrasting with the “wildness” of encaustic I have also enjoyed doing some careful illustration of birds over the past couple of weeks.” Ihis will be on display at my stall at the Tasmanian Craft Fair, Deloraine,  Nov 3 to 7th, 2016

Tarkine in Motion …Hobart, Long Gallery, Exhibition


I wish I could get to Hobart for the opening of the Tarkine in Motion exhibition tomorrow evening. Artworks evolving out of 70 artists responding to Tasmania’s Tarkine Wilderness will be on display at Hobart’;s Long Gallery until 4th February 2016. (50 of the 70 artists exhibiting in the is huge display).

Tasmania is fairly small yes, but it is about a 4 hour drive each way from our home to Hobart, so it is not as easy as non Tasmanian’s might think to “pop down” to our capital city.

I have already delivered some works to be hung but I have seen mine…. I really want to see those of everyone else. We will get down for bump out…. hopefully before others start collecting their treasures.

As you will see from these images of 4 of the 5 works I sent to be considered for inclusion, I was drawn, as usual, to the coast, the raw energy, the water movement and especially the rocks.

Geoartscape, Sarah Anne Rocks

Geo-artscape, Sarah Anne Rocks. Acrylic on stretched canvas.

Struggle for Survival

“”Struggle for Survival” watercolour, 300gsm SW rough paper. Sarah Anne Rocks, Tarkine Coast. 2015

working on colourfix

Red Lichen, Acrylic on Colourfix

The Calm Belies the Turmoil acrylic on gallery stretched canvas

The Calm Belies the Turmoil. Acrylic on stretched canvas

 

 

The preliminary photo from  Dan Broun of setting up looks good. A treasure trove of photography, painting, printmaking and jewellery…. and there will be floor talks. There have already been a number of musical and film performances which have been presented to enthusiastic audiences in Hobart. We want to save this last bit of Gondwanaland with its rich indigenous heritage rather than have it destroyed by logging and mining. Ironically, at present, much is under bushfires started by dry lightening strikes. Lets hope, at least, the old rainforest is not damaged too much. We so desperately need rain

 

Birds in Watercolour


Those who follow my facebook page, Evelyn Antonysen at Forth Art Studio, will be aware that I am currently preparing for an exhibition of works on birds, “Wings”, to open mid-December. I have been posting some photos on my fb page but will also share them here. My initial degree was Science based asIi trained to be a Maths/Science teacher so scientific illustration has always been an interest. I love the careful observation and rendering but it art I also love freedom to go beyond accurate recording…. more of that looser style later. Most importantly, whatever style of presenting the image is adopted, the personality of the creature must be captured.

Wise?

Wise?

Superb Blue Wren preening

Superb Blue Wren preening

Wattlebird

Wattlebird

The most tricky of these 3 paintings was the wren as it’s form is not readily recognisable. Interesting I feel it is the one which captures the animal’s “personality” best…. perhaps because I watch them so much…. very entertaining and the males are so vain.

Material Girl entry …..2014 finalist


I am really pleased that for the third consecutive year my entry in Tasmania’s Material Girl Exhibition has made the finals. This year’s theme is Tall poppies…. late bloomers. I pondered a portrait of “tall poppies’, Mother Moses being a favourite “tall poppy, and very much a “late bloomer”. I love painting poppies, especially on silk, so did contemplate maybe a literal interpretation. Then I thought of doing a very minimalist contemporary style work…. a single (actual) poppy seed glued onto a large canvas (medium: “collage” I suppose). That would be titled simple “Potential”.
After listening to Jane Lamont talk at the launch, where the amazing woman described herself as rather a short, yellow,daisy I started thinking along another line. I love the variety of friends and family in my life, tall poppies or not. I love the variety of flowers in the garden and that they reveal their full glory at different times. So my entry is “Not all tall poppies” the acrylic painted with a palette knife, an image of which I posted about a month ago.

Acrylic on canvas painted with a palette knife.  "Not all Tall Poppies" Material Girl 2014 Finalist

Acrylic on canvas painted with a palette knife.
“Not all Tall Poppies”
Material Girl 2014 Finalist


Accompanying Artist’s Statement
Variety is the “spice of Life”. Genetics, environment, life’s circumstances…. all contribute to what something is and when potential will be maximised.
A world full of only tall poppies would not have the colour, interest and variety of “my” world with all it’s magnificent individuals.