Tasmania’s Tarkine Wilderness…. Art


2017 was the third year of a gathering of creative people (about 150 artists) in Tasmania’s Wilderness…… Takayna (the Tarkine), on the rugged West Coast. This unique area should be offered more protection by affording it National Park status, not to “close” it to visitors but to maintain its environmental and heritage values so that future generations can enjoy it as we do. Art is a language which we hope will give more insight into the inherent value of Tarkayna.

An exhibition of works is currently on display at the Long Gallery in Hobart, Tasmania showcasing artworks created. These are my entries in that exhibition , along with the promotional invitation

“South of Temma”, Acrylic, charcoal and sumi ink on colour fix paperSouth of Temma smaller file

“Coast”, Encaustic

Coast

3 sets encaustic bracelets and matching pendants…. all SOLDEncaustic art in jewellery settings

“Enchanted”, encaustic,Enchanted

“Layered”, Encaustic SOLDlayered

“Tarkine Treasure: Trowutta Arch“, pigment ink on Vellum, miniature. SOLDTarkine Treasure Trowutta Arch

Promotional flierTim 2017 advertise

“Turmoil”, encaustic. Turmoil

“Unleashed”, acrylic on stretched canvasOLYMPUS DIGITAL CAMERA

Fine art originals (encaustic paintings) in jewellery settings. “Day’s End”. SOLDWearable art Day's End

Fine art originals (encaustic paintings) in jewellery settings. “Sarah Ann Rocks”. SOLDWearable art Sarah Ann Rocks

Fine art originals (encaustic paintings) in jewellery settings. “Rain Forest”. SOLDWearable art Rainforest

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Art and Science (published article)


My Friday afternoon art class currently has primarily people who have worked in various Science fields. I too was a maths/Science teacher, so often our conversation turns to discussions related to Science and of course, art. One of the ladies, Caroline Smith, wrote this article for Earth Song. She conveys my thoughts very well….. primarily that observation is the key linking factor but the method of/purpose behind recording those observations changes.

I was so proud that of all the excellent articles with art work in this issue of Earth Song, my painting was chosen for the cover. The bird is painted reasonably accurately (within the limitations of a very rough textured watercolour paper) while the interpretative background is painted freely, incorporating spattering, blowing paint trails and energetic use of a rigger brush.

 

earth-song-cover-1earth-song-cover-2earth-song-coverDestination Unknown, watercolour with Sumi ink and Chop signature)

Palette Knife painting


This is “my Tasmania”, just over one hour drive from home. Painted with a palette knife, using acrylics. A palette knife is great for the clean edges I want on parts of the building (old boat shed). I don’t mix the colours on the palette often,  preferring to merge them on the painting when necessary. The sky, I painted with my fingers and for the water, I find the brush gives my preferred finish. Basically, “use whatever tool gives the effect you prefer”, was my advice to my students…. with a caution that they will probably feel more comfortable with a brush, so try not to just use a brush. The palette knife effects are more alive I feel, even in this very traditional work.

SOLD to Gwen in Sydney (thank you for your support Gwen)

The Old Boat Shed, Cradle Mt, Lake Dove, Tasmania, Australia

old-boatshed-acrylic-14x10%22palette-knife-2016-150

10″ x 14″. Acrylic  (Atelier Interactive) on canvas board. SOLD

 

New from the Easel…. watercolour, Encaustic and Acrylic


1945

“1945” Encaustic incorporating photos (photo transfer) dad took in Hiroshima immediately after the dropping of the bomb in 1945. Also incorporated  is a photo transfer of a copy of the peace treaty he was given as a witness to its signing. I do not do many historical works but this is special. For many years I had been wanting to do an artwork based on dad’s experience but could never find the right medium….. until I discovered encaustic art. Perfect to suggest the devastation and the age and I could use copies of his actual photos. On display at Burnie Regional Gallery, Tasmania as part of Burnie Coastal Art Groups. TasArt exhibition.

after-the-fires-2016

After the Fires, 2016″. Encaustic. I finally finished this work, started some months ago. Tasmania experienced unprecedented fires in 2016 and returning to some of the charred wilderness areas I find they are both sad and hauntingly beautiful. That is what I aimed to relate in this wax work. Setting fire to shellac on the surface, gives another link of the artwork’s creation and the fires we experienced. On Display at the Tasmanian Art Awards at Eskleigh, Perth Tasmania, first weekend November 2016.

nelso-bay-sunset

“Quiet Times, Nelson Bay, Tarkine Coast”.  Watercolour. It had been a wet day but on dusk the rain cleared and soft colours were so soothing. A quick photo shoot to record the changing light and later in the studio this watercolour took me back to the moment. 

struggle-for-survival

“Struggle for Survival, Sarah Anne Rocks, Tarkine Coast”. Acrylic with texture paste on gallery stretch canvas. I did this work earlier this year but felt the bleached log was too stark so recently re-worked that. Happier now as the red lichen takes on a more important role. The branch and bleached twigs are skeletons decaying, but rotting down they provide nutrients for the native geranium in its own pocket. Lichen is an amazing organism which is incredibly well adapted to harsh conditions such as here on Tasmania’s West Coast. On display at TASART Burnie 2016

wedge-tail-eaglein-the-treetop

“Tree top Eagle”, watercolour. The eye was improved after taking this photo. A small work makes it tricky to do the eye detail Sold

wip-eagle

WIP. Wedge Tail Eagle. Watercolour.  Contrasting with the “wildness” of encaustic I have also enjoyed doing some careful illustration of birds over the past couple of weeks.” Ihis will be on display at my stall at the Tasmanian Craft Fair, Deloraine,  Nov 3 to 7th, 2016

Acrylic paintings with texture (rocks)


I love geology and looking at patterns in rocks, their colours and textures. As well as the scientific observations I do enjoy doing paintings of rocks. Tasmania’s  (Australia) North West and West Coast are wonderful spots for inspiration for rock based paintings. These 3 are all painted in acrylic (Atelier Interactive) on Canvas board (10×14 inch = 25.4×35.6cm). I have used Matisse modelling compound (my preferred of the many texture media I have tried) to achieve textural effects in the 2 Tarkine works.

To apply the paint and medium I have used both brushes and palette knives.

Top left: Kings Run, Tasmania’s Tarkine Wilderness  (SOLD)                 Bottom Left: Goat Island , Penguin Coast Rd, NW Tasmania ($100)        Right: Red Lichen, Sarah Anne Rocks, Tasmania’s Tarkine Wilderness ($100)

Tasmanian Waterfall… mixed media watercolour


I have a lovely friend (Laurie Davison) who takes the most magnificent photos of Tasmanian waterfalls and gets to ones no-one else does. No way could I walk where he does, so he has kindly allowed me to do my loose painterly interpretations of his photo.

This is a waterfall near Deloraine in the Meander Valley, Tasmania, at the base of the Western Tiers. I loved the greens in his photo, indicating the excellent environmental health of the area. So good to see.

A little more work to do on this. Mixed media painting, but it captures the freshness of our Tasmanian Wilderness

good health

I started with oil pastel as a resist to make sureI got some fresh greens and texture. The support is 300gsm Saunders Rough paper. After the oil pastel came the watercolour, wet in wet, but reserving some whites by not painting the area. A bit of dry brush for sparkle. Sumi ink for some calligraphic strokes. Scraping with a blade to bring back a few more sparkles and a few strokes of Chinese white. Inktense pencils were used to re-enforce some areas.

Gotta love playing with mixed media. I am fortunate to have a huge amount of art materials (the clock is ticking and I feel the urge to make sure I use them all!!!!!!)

Tarkine in Motion …Hobart, Long Gallery, Exhibition


I wish I could get to Hobart for the opening of the Tarkine in Motion exhibition tomorrow evening. Artworks evolving out of 70 artists responding to Tasmania’s Tarkine Wilderness will be on display at Hobart’;s Long Gallery until 4th February 2016. (50 of the 70 artists exhibiting in the is huge display).

Tasmania is fairly small yes, but it is about a 4 hour drive each way from our home to Hobart, so it is not as easy as non Tasmanian’s might think to “pop down” to our capital city.

I have already delivered some works to be hung but I have seen mine…. I really want to see those of everyone else. We will get down for bump out…. hopefully before others start collecting their treasures.

As you will see from these images of 4 of the 5 works I sent to be considered for inclusion, I was drawn, as usual, to the coast, the raw energy, the water movement and especially the rocks.

Geoartscape, Sarah Anne Rocks

Geo-artscape, Sarah Anne Rocks. Acrylic on stretched canvas.

Struggle for Survival

“”Struggle for Survival” watercolour, 300gsm SW rough paper. Sarah Anne Rocks, Tarkine Coast. 2015

working on colourfix

Red Lichen, Acrylic on Colourfix

The Calm Belies the Turmoil acrylic on gallery stretched canvas

The Calm Belies the Turmoil. Acrylic on stretched canvas

 

 

The preliminary photo from  Dan Broun of setting up looks good. A treasure trove of photography, painting, printmaking and jewellery…. and there will be floor talks. There have already been a number of musical and film performances which have been presented to enthusiastic audiences in Hobart. We want to save this last bit of Gondwanaland with its rich indigenous heritage rather than have it destroyed by logging and mining. Ironically, at present, much is under bushfires started by dry lightening strikes. Lets hope, at least, the old rainforest is not damaged too much. We so desperately need rain