Tasmania’s Tarkine Wilderness…. Art


2017 was the third year of a gathering of creative people (about 150 artists) in Tasmania’s Wilderness…… Takayna (the Tarkine), on the rugged West Coast. This unique area should be offered more protection by affording it National Park status, not to “close” it to visitors but to maintain its environmental and heritage values so that future generations can enjoy it as we do. Art is a language which we hope will give more insight into the inherent value of Tarkayna.

An exhibition of works is currently on display at the Long Gallery in Hobart, Tasmania showcasing artworks created. These are my entries in that exhibition , along with the promotional invitation

“South of Temma”, Acrylic, charcoal and sumi ink on colour fix paperSouth of Temma smaller file

“Coast”, Encaustic

Coast

3 sets encaustic bracelets and matching pendants…. all SOLDEncaustic art in jewellery settings

“Enchanted”, encaustic,Enchanted

“Layered”, Encaustic SOLDlayered

“Tarkine Treasure: Trowutta Arch“, pigment ink on Vellum, miniature. SOLDTarkine Treasure Trowutta Arch

Promotional flierTim 2017 advertise

“Turmoil”, encaustic. Turmoil

“Unleashed”, acrylic on stretched canvasOLYMPUS DIGITAL CAMERA

Fine art originals (encaustic paintings) in jewellery settings. “Day’s End”. SOLDWearable art Day's End

Fine art originals (encaustic paintings) in jewellery settings. “Sarah Ann Rocks”. SOLDWearable art Sarah Ann Rocks

Fine art originals (encaustic paintings) in jewellery settings. “Rain Forest”. SOLDWearable art Rainforest

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New from the Easel…. watercolour, Encaustic and Acrylic


1945

“1945” Encaustic incorporating photos (photo transfer) dad took in Hiroshima immediately after the dropping of the bomb in 1945. Also incorporated  is a photo transfer of a copy of the peace treaty he was given as a witness to its signing. I do not do many historical works but this is special. For many years I had been wanting to do an artwork based on dad’s experience but could never find the right medium….. until I discovered encaustic art. Perfect to suggest the devastation and the age and I could use copies of his actual photos. On display at Burnie Regional Gallery, Tasmania as part of Burnie Coastal Art Groups. TasArt exhibition.

after-the-fires-2016

After the Fires, 2016″. Encaustic. I finally finished this work, started some months ago. Tasmania experienced unprecedented fires in 2016 and returning to some of the charred wilderness areas I find they are both sad and hauntingly beautiful. That is what I aimed to relate in this wax work. Setting fire to shellac on the surface, gives another link of the artwork’s creation and the fires we experienced. On Display at the Tasmanian Art Awards at Eskleigh, Perth Tasmania, first weekend November 2016.

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“Quiet Times, Nelson Bay, Tarkine Coast”.  Watercolour. It had been a wet day but on dusk the rain cleared and soft colours were so soothing. A quick photo shoot to record the changing light and later in the studio this watercolour took me back to the moment. 

struggle-for-survival

“Struggle for Survival, Sarah Anne Rocks, Tarkine Coast”. Acrylic with texture paste on gallery stretch canvas. I did this work earlier this year but felt the bleached log was too stark so recently re-worked that. Happier now as the red lichen takes on a more important role. The branch and bleached twigs are skeletons decaying, but rotting down they provide nutrients for the native geranium in its own pocket. Lichen is an amazing organism which is incredibly well adapted to harsh conditions such as here on Tasmania’s West Coast. On display at TASART Burnie 2016

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“Tree top Eagle”, watercolour. The eye was improved after taking this photo. A small work makes it tricky to do the eye detail Sold

wip-eagle

WIP. Wedge Tail Eagle. Watercolour.  Contrasting with the “wildness” of encaustic I have also enjoyed doing some careful illustration of birds over the past couple of weeks.” Ihis will be on display at my stall at the Tasmanian Craft Fair, Deloraine,  Nov 3 to 7th, 2016

Acrylic paintings with texture (rocks)


I love geology and looking at patterns in rocks, their colours and textures. As well as the scientific observations I do enjoy doing paintings of rocks. Tasmania’s  (Australia) North West and West Coast are wonderful spots for inspiration for rock based paintings. These 3 are all painted in acrylic (Atelier Interactive) on Canvas board (10×14 inch = 25.4×35.6cm). I have used Matisse modelling compound (my preferred of the many texture media I have tried) to achieve textural effects in the 2 Tarkine works.

To apply the paint and medium I have used both brushes and palette knives.

Top left: Kings Run, Tasmania’s Tarkine Wilderness  (SOLD)                 Bottom Left: Goat Island , Penguin Coast Rd, NW Tasmania ($100)        Right: Red Lichen, Sarah Anne Rocks, Tasmania’s Tarkine Wilderness ($100)

Tasmania’s bushfires 2016… inspiration for paintings


Silk painting using watercolour technique. Watercolour technique on silk was the perfect  medium to depict the emotional response to raging fire.Tarkine Inferno

A walk in the rainforest…. Trowutta Arch, Tasmania’s Tarkine


It was a lovely spring day here in Tasmania today and we took our camper out for a run. Tarkine wilderness again, but this time not the coast. Still wonderful geology in the limestone karst formations and the most magnificent reflections in the water at Trowutta Arch. Along the way fungi, ferns, mosses, lichen and liverworts below a canopy which let streams of light through.

Along the temperate rainforest track. So many man ferns (Dicksonia Antartica)IMG_9079

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And “fairyland” magic in the micro world

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Then at the end of the walk we were rewarded with amazing reflections and limestone formations.

 


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Painting on canvas from a reference photo.


Reference photo from Sarah Anne Rocks, Tarkine Coast, Tasmania. Actually I took a number of photos at different exposure because the lighting was tricky. I was careful to compose my photo so that it would create a good composition for a painting. I was drawn to the geology and the colourful seaweed draped over the rocks… and of course the location!!!!!!

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Quick sketch with dilute paint. I draw loosely with the brush using dilute raw sienna rather than carefully with a pencil, as I want a free flowing work capturing the essence of the location rather than absolute photographic accuracy. This is really just a basic compositional guide to fit the features into the format of the canvas.

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First layers of paint. For the sky I mainly applied the paint with my hand and fingers….. for the rocks, more boldly with a flat brush and palette knife.

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I rather liked the white canvas for the sea in the photo above, but not in reality, so I added “sea” and more rocks.,,,, especially another layer on the right hand side.

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The sea needed lightening and a bit more variation in hue and tone, and I painted the rocks in the sea. IMG_0058

Still to go…. a few more little rocks to help link the sand to the larger formations and the decision as to how much “decoration” to include…. seaweed, twigs, beach debris.

Back down to the Tarkine Coast…. more photos of the Tasmania I love.


I can’t get too much of this place. The weather is so changeable, the play of light fantastic. And the colours!!!! Lichen in reds, yellows, oranges, green and white.  Twisted tree trunks and mounds of green vegetation crouching in the wind. Energetic deep blue seas decorated with brilliant white foam.  And skies full of light then hidden by threatening clouds. A photographer’s delight.IMG_8858

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IMG_8799edited SA rockstif copy