New from the Easel…. watercolour, Encaustic and Acrylic


1945 SOLD

“1945” Encaustic incorporating photos (photo transfer) dad took in Hiroshima immediately after the dropping of the bomb in 1945. Also incorporated  is a photo transfer of a copy of the peace treaty he was given as a witness to its signing. I do not do many historical works but this is special. For many years I had been wanting to do an artwork based on dad’s experience but could never find the right medium….. until I discovered encaustic art. Perfect to suggest the devastation and the age and I could use copies of his actual photos. On display at Burnie Regional Gallery, Tasmania as part of Burnie Coastal Art Groups. TasArt exhibition.

after-the-fires-2016

After the Fires, 2016″. Encaustic. I finally finished this work, started some months ago. Tasmania experienced unprecedented fires in 2016 and returning to some of the charred wilderness areas I find they are both sad and hauntingly beautiful. That is what I aimed to relate in this wax work. Setting fire to shellac on the surface, gives another link of the artwork’s creation and the fires we experienced. On Display at the Tasmanian Art Awards at Eskleigh, Perth Tasmania, first weekend November 2016.

nelso-bay-sunsetSOLD

“Quiet Times, Nelson Bay, Tarkine Coast”.  Watercolour. It had been a wet day but on dusk the rain cleared and soft colours were so soothing. A quick photo shoot to record the changing light and later in the studio this watercolour took me back to the moment. 

struggle-for-survival SOLD

“Struggle for Survival, Sarah Anne Rocks, Tarkine Coast”. Acrylic with texture paste on gallery stretch canvas. I did this work earlier this year but felt the bleached log was too stark so recently re-worked that. Happier now as the red lichen takes on a more important role. The branch and bleached twigs are skeletons decaying, but rotting down they provide nutrients for the native geranium in its own pocket. Lichen is an amazing organism which is incredibly well adapted to harsh conditions such as here on Tasmania’s West Coast. On display at TASART Burnie 2016

wedge-tail-eaglein-the-treetop SOLD

“Tree top Eagle”, watercolour. The eye was improved after taking this photo. A small work makes it tricky to do the eye detail Sold

wip-eagle SOLD

WIP. Wedge Tail Eagle. Watercolour.  Contrasting with the “wildness” of encaustic I have also enjoyed doing some careful illustration of birds over the past couple of weeks.” Ihis will be on display at my stall at the Tasmanian Craft Fair, Deloraine,  Nov 3 to 7th, 2016

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Acrylic paintings with texture (rocks)


I love geology and looking at patterns in rocks, their colours and textures. As well as the scientific observations I do enjoy doing paintings of rocks. Tasmania’s  (Australia) North West and West Coast are wonderful spots for inspiration for rock based paintings. These 3 are all painted in acrylic (Atelier Interactive) on Canvas board (10×14 inch = 25.4×35.6cm). I have used Matisse modelling compound (my preferred of the many texture media I have tried) to achieve textural effects in the 2 Tarkine works.

To apply the paint and medium I have used both brushes and palette knives.

Top left: Kings Run, Tasmania’s Tarkine Wilderness  (SOLD)                 Bottom Left: Goat Island , Penguin Coast Rd, NW Tasmania ($100)        Right: Red Lichen, Sarah Anne Rocks, Tasmania’s Tarkine Wilderness ($100)

Geological influence in painting


Acrylic on Canvas, Sarah Anne Rocks, Tarkine Coast, Tasmania

Acrylic on Canvas, Sarah Anne Rocks, Tarkine Coast, Tasmania

Geo-artscape, Tarkine of the amazing geology of Sarah Anne Rocks of the Tarkine area, Tasmania’s west coast, is the latest painting from my Easter participation in Tarkine in Motion. The event currently has an incredible selection  of photos on display at the Salerno Gallery in Sydney.
This painting is an acrylic on gallery stretched canvas, using texture media to add to the indication of the sharp edged layers of contorted strata. The lichen crust on these rocks ranges from vivid orange to ochres and greenish white.
This region is exposed to the roaring 40s weather system…. it is wild and raw and a visit is truly invigorating. For artists, scientists and conservationists alike this region is very special.
This artwork captures what I feel from the area.
It is for sale and will be on display at Devonport Regional Art Gallery from Friday 15th May for 3 weeks. Price on request. (size 91cm x 61cm)

Tasmania’s wild Tarkine coast watercolours/ acrylics


Arthur R Pyramid Rock. WC 2
This one is a bit to the South of the Takine area, at Ocean Beach
KONICA MINOLTA DIGITAL CAMERA
Next is a quick watercolour card.

Tarkine Coast, West Cioast Tasmania


Tarkine Coast, West Cioast Tasmania

West Coast Dunes, watercolour and Ink $200


West Coast Dunes, watercolour and Ink $200


And a little to the north at Bluff Point
E Antonysen Light after the storm copy
Next a miniature in oil
Tarkine Coast Oil Miniature
IMG292
DSCF3247
DSCF1371

Hello neighbours…. more Tassie Travels photos


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Isn’t it lovely having guests, taking then out, sharing the lovely sights around where you live, stopping for a coffee or a walk, chatting and, for me, taking photos. That is what I have been doing for the last week or so.
These are some of the photos of where I live on the North West Coast of Tasmania, Australia…….. now tidied up into a slideshow.

4 quick watercolours


Still continuing my painting a day… days 5, 6, 7 and 8. All watercolours, card size.

Mt Roland and mist

Mt Roland and mist

Tarkine Coast, West Cioast Tasmania

Tarkine Coast, West Cioast Tasmania

Ladies Day Out

Ladies Day Out

Winter Sea

Winter Sea

Acrylic on canvas…. all that sand!


This is a scene I have painted before because I just love going back, mentally/emotionally, to the day we walked down from the lighthouse along this track carved through the dunes on Tasmania’s West Coast. The weather had been very changeable but now the sun was out, intensifying the colour contrasts with the white sand. I so wanted to reach the water but we ran out of time. I never will walk the stretch to the water’s edge but as I paint I feel myself being immersed again in the wonder of our wilderness in Tasmania. I have entered this work in TasArt, one of Tasmania’s premiere art exhibitions. It is a selected exhibition so this painting may not be hung but that is OK…. it does for me what I want…. takes me back to a lovely day at a wonderful location. I have titled it Light After the Storm, not only because of the weather change, but also as a reminder that even through stormy passages in our lives things can turn out wonderfully. If it sells, that is great…. someone else feels the emotion with which this was painted. If not that is fine too…. the other 3 of this scene (a miniature, a watercolour and an acrylic) have sold and I do want one for myself eventually.
E Antonysen Light after the storm copy

Did sell on opening night… guess I have to do another for me. Won’t be straight away but I will tackle it again.