Handpainted using encaustic wax medium so the painting is 3 dimensional. This pair… colours of the ocean..is off to Victoria tomorrow… sold $30. The paintings are so tiny, 12mm. The bezels are bamboo and the hooks surgical steel. Unique… no one else uses the technique I developed to paint these. Only in Tasmania… but I post worldwide.
2017 was the third year of a gathering of creative people (about 150 artists) in Tasmania’s Wilderness…… Takayna (the Tarkine), on the rugged West Coast. This unique area should be offered more protection by affording it National Park status, not to “close” it to visitors but to maintain its environmental and heritage values so that future generations can enjoy it as we do. Art is a language which we hope will give more insight into the inherent value of Tarkayna.
An exhibition of works is currently on display at the Long Gallery in Hobart, Tasmania showcasing artworks created. These are my entries in that exhibition , along with the promotional invitation
“South of Temma”, Acrylic, charcoal and sumi ink on colour fix paper
“Coast”, Encaustic SOLD
3 sets encaustic bracelets and matching pendants…. all SOLD
“Tarkine Treasure: Trowutta Arch“, pigment ink on Vellum, miniature. SOLD
“Unleashed”, acrylic on stretched canvas
Fine art originals (encaustic paintings) in jewellery settings. “Day’s End”. SOLD
Fine art originals (encaustic paintings) in jewellery settings. “Sarah Ann Rocks”. SOLD
Fine art originals (encaustic paintings) in jewellery settings. “Rain Forest”. SOLD
“1945” Encaustic incorporating photos (photo transfer) dad took in Hiroshima immediately after the dropping of the bomb in 1945. Also incorporated is a photo transfer of a copy of the peace treaty he was given as a witness to its signing. I do not do many historical works but this is special. For many years I had been wanting to do an artwork based on dad’s experience but could never find the right medium….. until I discovered encaustic art. Perfect to suggest the devastation and the age and I could use copies of his actual photos. On display at Burnie Regional Gallery, Tasmania as part of Burnie Coastal Art Groups. TasArt exhibition.
“After the Fires, 2016″. Encaustic. I finally finished this work, started some months ago. Tasmania experienced unprecedented fires in 2016 and returning to some of the charred wilderness areas I find they are both sad and hauntingly beautiful. That is what I aimed to relate in this wax work. Setting fire to shellac on the surface, gives another link of the artwork’s creation and the fires we experienced. On Display at the Tasmanian Art Awards at Eskleigh, Perth Tasmania, first weekend November 2016.
“Quiet Times, Nelson Bay, Tarkine Coast”. Watercolour. It had been a wet day but on dusk the rain cleared and soft colours were so soothing. A quick photo shoot to record the changing light and later in the studio this watercolour took me back to the moment.
“Struggle for Survival, Sarah Anne Rocks, Tarkine Coast”. Acrylic with texture paste on gallery stretch canvas. I did this work earlier this year but felt the bleached log was too stark so recently re-worked that. Happier now as the red lichen takes on a more important role. The branch and bleached twigs are skeletons decaying, but rotting down they provide nutrients for the native geranium in its own pocket. Lichen is an amazing organism which is incredibly well adapted to harsh conditions such as here on Tasmania’s West Coast. On display at TASART Burnie 2016
“Tree top Eagle”, watercolour. The eye was improved after taking this photo. A small work makes it tricky to do the eye detail Sold
WIP. Wedge Tail Eagle. Watercolour. Contrasting with the “wildness” of encaustic I have also enjoyed doing some careful illustration of birds over the past couple of weeks.” Ihis will be on display at my stall at the Tasmanian Craft Fair, Deloraine, Nov 3 to 7th, 2016
Winter is a time of runny noses, colds and ‘flu. But it is also a time to enjoy keeping warm inside, creating artworks without feeling guilty about all the time spent indoors.
I always keep busy creating but don’t photograph and post many of my works. Today I had a quick look around the studio, grabbed my most recent works and the i-pad and got photographing…… outdoors (it was a lovely clear afternoon).
Firstly, I intended to finish this acrylic on canvas………. I have added some of the seaweed but I want more texture in the front.
I have asked a few friends what they think and, as expected, have had a few different responses. I have finally decided to go with what I originally thought (as I tend to do) …. I will add some sand from the location to give authentic texture, in addition to implied texture through spattering, dry brush, scumbling etc.
I take a few classes each week, usually in watercolour, and in the most recent we focused on tone while re-enforcing the importance of timing, and working with increasingly drier paint to achieve strength. We painted a winter snow scene in Sepia…. no other colours to distract….. purely tonal. Aiming for a sense of depth with softer distance and harder, stronger edges to the fore.
I have also been enjoying the colour and flow of dyes on silk, making more of my silk miniatures in a brooch which accompany my hand painted scarves. I have a couple of venues waiting for new stock of these and hope to get on top of putting some online on my handmade shop in the next few weeks. While taking photos of these I finally got around to taking a few pics showing some of the many ways these sets can be worn. I gave up trying to find a suitable willing model and used my dressmaking form and a head form (they were most co-operative). More ideas are posted on my Silk Watercolours blog (listed in my links)
I have been asked by one venue to do some quirky, fun stuff… so that I did and, yes , it was fun. The card is from handmade paper (made at the last workshop I took at a local Tasmanian Regional Arts branch), and beautifully polished pebbles collected from local beaches. These my sister and I love picking up on beach walks when she visits, she takes them back to back to Victoria, tumbles them and posts some back to me for my STONE BIRD card creations. I spend ages playing with these beautifully smooth coloured stones to see what characters I can find. Very meditative…. oh yes, that new thing “mindfulness”! The little watercolour and ink girl is just for fun…. colour and smiles.
Whenever I am in the studio for a few consecutive days I tend to experiment with something new. This time I explored a combination of a silk painting background under an encaustic artwork in a pendant. I am happy with the result … soft silk watercolour with the intensity and dimensionality of an abstract encaustic painting suggestive of a network.
And last week I had a call from the local newspaper, The Advocate, asking about a forthcoming workshop I am taking at Tasmanian Regional Arts Sheffield on Making Little Boxes for trinkets, jewellery etc. They needed a pic so I gathered what I could find, made a couple of new boxes, put one of my handmade scarves in one and an encaustic pendant in another and sent them some images to play with (none of me with my red drippy “winter cold” nose and bloodshot eyes!)
If ever I get artist’s block I just reach for a different medium…. my studio has everything at hand……. my most favourite place to relax, work and play. Such is the life af someone addicted to creating.
I have too many paintings for the walls and I have always enjoyed “small” so increasingly I am doing tiny works to put into jewellery settings. Many are silk paintings but I have also been exploring my own unique way of painting with pigmented wax,encaustic paintings, as wearable art. Encaustic paintings are beautifully vivid and under the glass cabochon the 3-dimensionality is accentuated. These are selling so well locally and to cruise ship visitors that I am finding it difficult to keep up with demand. Many, like the set, are based on flowers in my garden but some are abstract ocassionally suggesting a scene.No two can be the same as it is not possible to get that degree of control with the way I work. But that is how I like it … each unique item to be paired with a unique wearer.
Today I bought a mini tripod and remote shutter for my mobile phone so I can take photos of my work quickly and without any camera shake. All I need now is to make up a tent to get rid of the reflection of the studio windows.
These will be availabble on my handmade shop at a later date.
Hooray… a photo challenge site that will accept photos of artwork. And being “oddball” … it’s exciting…… weird is OK, in fact welcomed. So here is one of my fav encaustic art paintings. Thanks Cee, for allowing artwork entries as well as photography as art.
But I also have heaps of odd photos… what does that say about me???!!!!Here’s one.
Between entertaining visitors and blogging 101 tasks and visiting other people’s blogs I have been in my studio creating. Here are 6 new pendants each containing an encaustic art original in miniature. The pigmented wax is so vibrant and the resultant image has real depth. My encaustic jewellery is proving to be very popular and I LOVE doing them
…. these were scanned in using the printer scanner. I will try to get a better image with the camera… but in daylight.
My first artworks for the transition from 2014 to 2015 are these miniature encaustic paintings presented in little “frames” that you can wear. I love doing this with my art. Although I have done murals and enjoy doing works of all sizes I have always had a special love for the little. And as our walls are full, and modern design declares minimalism is the way to go, I am excited to be presenting my paintings as wearable art. No reproductions here. Each is a unique painting….. encaustic (pigmented wax), manipulated in its molten state, to form an interesting composition often suggestive (intentionally) of flowers from my garden….. iris, poppies, tulips….. And they are affordable (bracelets $33 includes postage in Australia, or I will pay half of postage overseas (customer pays the other half. At the rate these have sold they won’t hang around in my studio for long so let me know if you want one. bangle is lead and nickel free and is adjustable from small to medium/largish. The cover is a glass cabochon attached with E600 adhesive. The image is an original impressionist style painting using artist’s quality pigmented wax. Care instructions…… clean/polish glass with a soft cloth. Do not leave the artwork directly in front of a heater which is on high or on the dashboard of a car in summer unless you want to modify the image! Normal hot temperatures are OK… if your body can stand the heat, the artwork can too.
I just love the vibrant colours, and the 3D effects with various depths of the wax layers. Tuition in encaustic art is available. Look at my TUITION page, or contact me with your request.<a href=”https://dailypost.wordpress.com/dp_photo_challenge/new/”>New</a>
I am currently loving doing these miniature paintings with pigmented wax… encaustic art… and putting them in jewellery settings. I guess the buying public like them too as they are selling well.
I often use the more transparent wax and build up layers so the colours glow. They look so 3D… well I suppose they are in a fashion as the wax has depth. This is an example of a floral one, but some suggest landscape and yet others are abstract… relying on the colour and unique textures that caan be obtained for their appeal. The soft wax painting is protected by glass.
I am always experimenting and inventing new artworks and these are my current fav. It is another style where absolute control is not possible…. and indeed,
for me, not desirable as that would ruin the excitement I feel as I create each new piece and wonder what will evolve. (They retail for $33, and there will NEVER be 2 the same)
Over Christmas/New year I sold out of my encaustic art pendants so I have been doing more after finally obtaining the antique look, oval pendant trays I prefer.
Each pendant contains one of my small original encaustic art paintings…. a painting made using melted pigmented wax. I have protected the artwork with a domed clear glass cabochon which, in effect, acts as a magnifier for the image. The oval image is 1.8 by 2.5 cm. The whole pendant is 3 by 3.7 cm and attached to a matching, coloured silk cord or a silver snake chain. Encaustic allows great depth depiction and within the abstracted shapes the viewer discovers there own meaning. It is so special to wear one off original paintings as a jewellery item and I certainly get a lot of positive comments when I wear them. These are for sale at $25 each, which includes postage. Contact me or to make things easier, over winter I hope to get my Etsy shop organised.