New from the Easel…. watercolour, Encaustic and Acrylic


1945 SOLD

“1945” Encaustic incorporating photos (photo transfer) dad took in Hiroshima immediately after the dropping of the bomb in 1945. Also incorporated  is a photo transfer of a copy of the peace treaty he was given as a witness to its signing. I do not do many historical works but this is special. For many years I had been wanting to do an artwork based on dad’s experience but could never find the right medium….. until I discovered encaustic art. Perfect to suggest the devastation and the age and I could use copies of his actual photos. On display at Burnie Regional Gallery, Tasmania as part of Burnie Coastal Art Groups. TasArt exhibition.

after-the-fires-2016

After the Fires, 2016″. Encaustic. I finally finished this work, started some months ago. Tasmania experienced unprecedented fires in 2016 and returning to some of the charred wilderness areas I find they are both sad and hauntingly beautiful. That is what I aimed to relate in this wax work. Setting fire to shellac on the surface, gives another link of the artwork’s creation and the fires we experienced. On Display at the Tasmanian Art Awards at Eskleigh, Perth Tasmania, first weekend November 2016.

nelso-bay-sunsetSOLD

“Quiet Times, Nelson Bay, Tarkine Coast”.  Watercolour. It had been a wet day but on dusk the rain cleared and soft colours were so soothing. A quick photo shoot to record the changing light and later in the studio this watercolour took me back to the moment. 

struggle-for-survival SOLD

“Struggle for Survival, Sarah Anne Rocks, Tarkine Coast”. Acrylic with texture paste on gallery stretch canvas. I did this work earlier this year but felt the bleached log was too stark so recently re-worked that. Happier now as the red lichen takes on a more important role. The branch and bleached twigs are skeletons decaying, but rotting down they provide nutrients for the native geranium in its own pocket. Lichen is an amazing organism which is incredibly well adapted to harsh conditions such as here on Tasmania’s West Coast. On display at TASART Burnie 2016

wedge-tail-eaglein-the-treetop SOLD

“Tree top Eagle”, watercolour. The eye was improved after taking this photo. A small work makes it tricky to do the eye detail Sold

wip-eagle SOLD

WIP. Wedge Tail Eagle. Watercolour.  Contrasting with the “wildness” of encaustic I have also enjoyed doing some careful illustration of birds over the past couple of weeks.” Ihis will be on display at my stall at the Tasmanian Craft Fair, Deloraine,  Nov 3 to 7th, 2016

Christmas is coming…. designing cards


I have been having fun designing Christmas Cards.

Fun time of year! Yes I know it is early… but design, print, market…. it all takes time!

Both are watercolours. “Chatterbox Wren” is a photo of a watercolour I did from a photo i took of a very young Superb Blue Wren making such a racket chirping on the roof. I edited the photo of the painting to add the Santa hat and wording.

blue wren Christmas 2

The idea for the card below came about a couple of years ago when I was showing watercolour students how to paint a group of simple figures in the style of internationally renowned watercolorist, Robert Wade….. “Bob’s Blobs”. It was near Christmas and I love that red hat as a symbol of Christmas so voila!!!!! I have added red text since doing this little painting

Christmas

Winter days in the Studio…. “serious” painting, art play and quirky stuff


Winter is a time of runny noses, colds and ‘flu. But it is also a time to enjoy keeping warm inside, creating artworks without feeling guilty about all the time spent indoors.

I always keep busy creating but don’t photograph and post many of my works. Today I had a quick look around the studio, grabbed my most recent works and the i-pad and got photographing…… outdoors (it was a lovely clear afternoon).

Firstly, I intended to finish this acrylic on canvas………. I have added some of the seaweed but I want more texture in the front.

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I have asked a few friends what they think and, as expected, have had a few different responses. I have finally decided to go with what I originally thought (as I tend to do) …. I will add some sand from the location to give authentic texture, in addition to implied texture through spattering, dry brush, scumbling etc.

IMG_0095I take a few classes each week, usually in watercolour, and in the most recent we focused on tone while re-enforcing the importance of timing, and working with increasingly drier paint to achieve strength. We painted a winter snow scene in Sepia…. no other colours to distract….. purely tonal. Aiming for a sense of depth with softer distance and harder, stronger edges to the fore.

I have also been enjoying the colour and flow of dyes on silk, making more of my silk miniatures in a brooch which accompany my hand painted scarves. I have a couple of venues waiting for new stock of these and hope to get on top of putting some online on my handmade shop in the next few weeks. While taking photos of these I finally got around to taking a few pics showing some of the many ways these sets can be worn. I gave up trying to find a suitable willing model and used my dressmaking form and a head form (they were most co-operative). More ideas are posted on my Silk Watercolours blog (listed in my links)

,soft pink purple cool blue bright orange deep pink blue lime IMG_0076IMG_0079

I have been asked by one venue to do some quirky, fun stuff… so that I did and, yes , it was fun. The card is from handmade paper (made at the last workshop I took at a local Tasmanian Regional Arts branch), and beautifully polished pebbles collected from local beaches. These my sister and I love picking up on beach walks when she visits, she takes them back to back to Victoria, tumbles them and posts some back to me for my STONE BIRD card creations. I spend ages playing with these beautifully smooth coloured stones to see what characters I can find.  Very meditative…. oh yes, that new thing “mindfulness”! The little watercolour and ink girl is just for fun…. colour and smiles.

IMG_0094                                              just for fun

Whenever I am in the studio for a few consecutive days I tend to experiment with something new. This time I  explored  a combination of a silk painting background under an encaustic artwork in a pendant. I am happy with the result … soft silk watercolour with the intensity and dimensionality of an abstract encaustic painting suggestive of a network.

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And last week I had a call from the local newspaper, The Advocate, asking about a forthcoming workshop I am taking at Tasmanian Regional Arts Sheffield on Making Little Boxes for trinkets, jewellery etc. They needed a pic so I gathered what I could find, made a couple of new boxes, put one of my handmade scarves in one and an encaustic pendant in another and sent them some images to play with (none of me with my red drippy “winter cold” nose and bloodshot eyes!)

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If ever I get artist’s block I just reach for a different medium…. my studio has everything at hand……. my most favourite place to relax, work and play. Such is the life af someone addicted to creating.

Artists 3/5 challenge… day 4… watercolour


Thank you to all the lovely people who have shown interest in my humble blog. I have been rather busy and not posted for a bit but have been continuing with the facebook artists’ challenge so will post the 3 day 4 paintings… watercolours… for those who do not follow EvAntArtTas on facebook. Watercolour is such a versatile medium but I love it most when it is allowed to have its own way a bit so the magic of the fluid medium can be revealed. Working that way is so exciting and rewarding as you never know exactly what will evolve. The main thing is to be patient and not push the paint around too much. In short… the painting is the “boss’ not the painter. In illustrative styles the opposite is true. I will never tire of fluid media.

I am alive Watercolour SOLD I am alive Watercolour

Destination Unknown, watercolour, Evelyn Antonysen

Merging realms
Oh, and thank you also to the two bloggers who nominated me for the Liebster award. I feel honoured but it will be about another week before I have time to address that.

Birds in Watercolour


Those who follow my facebook page, Evelyn Antonysen at Forth Art Studio, will be aware that I am currently preparing for an exhibition of works on birds, “Wings”, to open mid-December. I have been posting some photos on my fb page but will also share them here. My initial degree was Science based asIi trained to be a Maths/Science teacher so scientific illustration has always been an interest. I love the careful observation and rendering but it art I also love freedom to go beyond accurate recording…. more of that looser style later. Most importantly, whatever style of presenting the image is adopted, the personality of the creature must be captured.

Wise?

Wise?

Superb Blue Wren preening

Superb Blue Wren preening

Wattlebird

Wattlebird

The most tricky of these 3 paintings was the wren as it’s form is not readily recognisable. Interesting I feel it is the one which captures the animal’s “personality” best…. perhaps because I watch them so much…. very entertaining and the males are so vain.

New off the easel… waterfalls in watercolour, flowers on silk and a Bittern.


Tumbling (Pencil Pine Falls)JPGGeo-art, Guide Falls The edge

Put together recent trips to some waterfalls and the free, Zen style, semi-abstract watercolours and it is no wonder waterfalls have flowed onto the canvas (well, watercolour paper actually). My aim is to depict the feeling of the cool misty water spray and the movement. I do so love water…. painting with it swimming in it, watching it.

The nasturtiums is a  silk painting, mostly done in a watercolour technique but some of the primary flowers have a rich gold gutta outline. This work is about colour, the joy of life and the tangled webs we weave. The stems of nasturtiums do twist and entwine and the plants themselves are so tenacious… hence the title of this work “Tenacity”.Tenacity

Coast Guard (Bittern)The bird, (a bittern), was done in preparation for my bird exhibition in December but this painting will head to see if it selected to hang in the Tasmanian Art Awards, at Eskleigh, before being shown in Burnie. This work is more carefully drawn and hints to my original degree in Sciences (but so too does the geology of the vertical waterfall painting with its basalt columns and polygonal jointing… Guide Falls, Burnie, Tasmania)