Brush painting


Based on principles of sumi-e at my recent workshop the aim was to encourage participants to make varied brush strokes and create works that were fluid.  I did show some traditional Sumi e strokes but with the limited time of a single day workshop thought “giving permission” to develop their own was valuable… and more creative. Numerous brushes were tried (including the one all loved which I made some 10 years ago from part of a feather… it is brilliant!) and loading of a soft sumi e brush  was demonstrated. The advantage of solid ink stick and grinding stone was experienced. We also played with ink and water on yupo after watching my dvd of freestyle Sumi e from a Japanese master. Looking back we covered a lot in a dayIMG_1611 IMG_1612 IMG_1613 IMG_1614 IMG_1615 IMG_1616

Jane eperimented with working on wood. She had even prepared the surface with different finishes. This is a meditation stool.

Jane eperimented with working on wood. She had even prepared the surface with different finishes. This is a meditation stool.

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Stephen made some lovely free flowing marks... just beautiful

Stephen made some lovely free flowing marks… just beautiful

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Caught on camera... and I was holding the brush low as I concentrated

Caught on camera… and I was holding the brush low as I concentrated

we had lots of variations on bamboo... practise needed to perfect ... but these are creatively different

we had lots of variations on bamboo… practise needed to perfect … but these are creatively different

dragonfly and iris Cockroach

using the rake brush can create echidna spikes. Not really Suumi e but all about exploring brushmarks

using the rake brush can create echidna spikes. Not really Suumi e but all about exploring brushmarks

Ink on yupo

Finger Painting for Adults


Why let the kids have all the fun. This is a great way to loosen up with your art… for ALL levels of artists, ALL ages. It really shows if you can be free or find that hard and try to control. Also teaches about the different effects for example when varying the amount or thickness of paint, the degree of mixing, colour mixing on the artwork rather than on the palette, changes with change of viscosity of paint as it dries and a sensitivity to the physical pressure when applying the paint. Try it!!!! Can you resist the temptation to overmix and overblend…. and do you have an over-riding need to draw a subject?

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