New from the Easel…. watercolour, Encaustic and Acrylic


1945 SOLD

“1945” Encaustic incorporating photos (photo transfer) dad took in Hiroshima immediately after the dropping of the bomb in 1945. Also incorporated  is a photo transfer of a copy of the peace treaty he was given as a witness to its signing. I do not do many historical works but this is special. For many years I had been wanting to do an artwork based on dad’s experience but could never find the right medium….. until I discovered encaustic art. Perfect to suggest the devastation and the age and I could use copies of his actual photos. On display at Burnie Regional Gallery, Tasmania as part of Burnie Coastal Art Groups. TasArt exhibition.

after-the-fires-2016

After the Fires, 2016″. Encaustic. I finally finished this work, started some months ago. Tasmania experienced unprecedented fires in 2016 and returning to some of the charred wilderness areas I find they are both sad and hauntingly beautiful. That is what I aimed to relate in this wax work. Setting fire to shellac on the surface, gives another link of the artwork’s creation and the fires we experienced. On Display at the Tasmanian Art Awards at Eskleigh, Perth Tasmania, first weekend November 2016.

nelso-bay-sunsetSOLD

“Quiet Times, Nelson Bay, Tarkine Coast”.  Watercolour. It had been a wet day but on dusk the rain cleared and soft colours were so soothing. A quick photo shoot to record the changing light and later in the studio this watercolour took me back to the moment. 

struggle-for-survival SOLD

“Struggle for Survival, Sarah Anne Rocks, Tarkine Coast”. Acrylic with texture paste on gallery stretch canvas. I did this work earlier this year but felt the bleached log was too stark so recently re-worked that. Happier now as the red lichen takes on a more important role. The branch and bleached twigs are skeletons decaying, but rotting down they provide nutrients for the native geranium in its own pocket. Lichen is an amazing organism which is incredibly well adapted to harsh conditions such as here on Tasmania’s West Coast. On display at TASART Burnie 2016

wedge-tail-eaglein-the-treetop SOLD

“Tree top Eagle”, watercolour. The eye was improved after taking this photo. A small work makes it tricky to do the eye detail Sold

wip-eagle SOLD

WIP. Wedge Tail Eagle. Watercolour.  Contrasting with the “wildness” of encaustic I have also enjoyed doing some careful illustration of birds over the past couple of weeks.” Ihis will be on display at my stall at the Tasmanian Craft Fair, Deloraine,  Nov 3 to 7th, 2016

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Paint little Watercolours for better health


I tend to get a bit anxious about things…. even when I don’t know I am…. and my bp goes sky high. But sitting in the studio playing with floating watercolours on paper helps return my body to a less stressed state.

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View to the Nut, Stanley, Tasmania

Although one of these works started from a photo reference, hence the view to the volcanic plug ( The Nut,Stanley, NW Tasmania), the other is purely from the imagination. This way of working encourages more play as you  are not aiming for it to represent anything in particular…. just enjoying the experience and letting the painting flow out of the brush. I start with the suggestion of a sky then each successive mark is in response to the previous one. Limited palette of 2 or 3 colours so little decision making. They are small works so I can watch the whole image evolve at once and judge timing and water content.    (both are for sale at $50AUD each

These have both now been SOLD. 

Imagined

Imagined

Artists 3/5 challenge… day 4… watercolour


Thank you to all the lovely people who have shown interest in my humble blog. I have been rather busy and not posted for a bit but have been continuing with the facebook artists’ challenge so will post the 3 day 4 paintings… watercolours… for those who do not follow EvAntArtTas on facebook. Watercolour is such a versatile medium but I love it most when it is allowed to have its own way a bit so the magic of the fluid medium can be revealed. Working that way is so exciting and rewarding as you never know exactly what will evolve. The main thing is to be patient and not push the paint around too much. In short… the painting is the “boss’ not the painter. In illustrative styles the opposite is true. I will never tire of fluid media.

I am alive Watercolour SOLD I am alive Watercolour

Destination Unknown, watercolour, Evelyn Antonysen

Merging realms
Oh, and thank you also to the two bloggers who nominated me for the Liebster award. I feel honoured but it will be about another week before I have time to address that.

An Encaustic start to 2015…. Encaustic painting in Jewellery settings


My first artworks for the transition from 2014 to 2015 are these miniature encaustic paintings presented in little “frames” that you can wear. I love doing this with my art. Although I have done murals and enjoy doing works of all sizes I have always had a special love for the little. And as our walls are full, and modern design declares minimalism is the way to go,  I am excited to be presenting my paintings as wearable art. No reproductions here. Each is a unique painting….. encaustic (pigmented wax), manipulated in its molten state, to form an interesting composition often suggestive (intentionally) of flowers from my garden….. iris, poppies, tulips….. And they are affordable (bracelets $33 includes postage in Australia, or I will pay half of postage overseas (customer pays the other half. At the rate these have sold they won’t hang around in my studio for long so let me know if you want one.red and green red tulip bangle JPG tulip pendant 30mm encaustic bangle trio abstracted sea and flower patchwork garden patchwork bangle is lead and nickel free and is adjustable from small to medium/largish. The cover is a glass cabochon attached with E600 adhesive. The image is an original impressionist style painting using artist’s quality pigmented wax. Care instructions…… clean/polish glass with a soft cloth. Do not leave the artwork directly in front of a heater which is on high or on the dashboard of a car in summer unless you want to modify the image! Normal hot temperatures are OK… if your body can stand the heat, the artwork can too.

I just love the vibrant colours, and the 3D effects with various depths of the wax layers. Tuition in encaustic art is available. Look at my TUITION page, or contact me with your request.<a href=”https://dailypost.wordpress.com/dp_photo_challenge/new/”>New</a&gt;

Painting on Yupo


Anyone who follows my art knows that I love experimenting. For some time I have been trying to paint my memories of when I could go into caves.  Karst geology is fascinating and we have wonderful examples of Karst system caves in Tasmania. I am rarely happy with my  paintings of the limestone caves and I have been pondering how to get closer to what I want. I think this one is getting there.

I used the synthetic Yupo surface , a very slippery, plastic “paper” and I worked with pigment ink or liquid acrylic because of the intensity of colour. I have worked on Yupo before with watercolour paint and the colour lifts off easily. I thought the pigment ink would be similar but ,of course, as it is acrylic,

Mole Creek Caves, Tasmania

Mole Creek Caves, Tasmania

it stays permanently in place. There is a lot of negative painting in this to retain the lights.

Landscape painting from the imagination…. winter


Winter (imagined)

Winter (imagined)

On Friday I took a small workshop on introduction to abstract art in acrylics. We discussed abstract art and googled images to see the diversity and degrees of abstraction. This is a painting I did on canvas board. “Winter”… the mountains just appeared… abstracted? This is not based on any real place or even an intention to paint mountains and snow. it just evolved ….. whenever I play with paint I am likely to end up with something suggesting a landscape. It is hardly realism but does it meet “abstraction”. I prefer the term” landscapes from the imagination” and as this started to emerge from the canvas I was reminded of a painting done about this time last year of Everest Base Camp. What I most wanted participants to do was to explore a multitude of ways to apply paint to a surface. This was primarily done with the palette knife. It is such FUN and even as adults we should give ourselves permission to “play” and “waste” materials as it is through doing this that we learn.

Watercolour and Ink workshop… abstracting the landscape… student works


These are some of the works done at a one day workshop in Canberra today. The ladies had not done watercolour before and I was so impressed with what they achieved in this single session. We worked with a limited palette, primarily on Fabriano torchon extra rough paper so they could explore different textures. Some of the textures were created using a palette knife while othere were using traditional watercolour methods such as dry brush.
They responded well to the use of and appreciation of a variety of brush types …. one inch hake, goat hair
a small taklon rigger,
a number 3 squirrel teardrop wash
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20140726_152300and a taklon or sablon half inch flat or angle shader