I have been busy lately, with commissioned works. Earlier in the week I posted, to the Hilton Hotel gift shop in Cairns, Queensland, Australia, 10 of my my handpainted sets….silk scarf with matching brooch which enable the wearer many styling options. Most of the brooches were my preferred landscape impressions but on two I painted images inspired by the colourful fish of the Great Barrier Reef.
Today I also completed another scarf (no brooch) on which I have been working as a sample requested by Griffith University, again in Queensland. The scarves they are considering are to have Queensland native flowers on them and the suggestion was the Waratah on a sample item. Ready to mail tomorrow.
A third commission completed is a blue wren on silk. What a novel idea from the couple asking for this as a special silk anniversary gift.
I have been very busy in the studio creating for our busy tourist season. At a wonderful venture initiated by a local Council, Burnie Makers Workshop, I am fortunate to have been selected as a participating artist. I am there as a watercolourist and silk painter. We “Makers” give our time, on a rostered basis, to sit and demonstrate our art/craft to visitors and to chat with them. Cruise ship visit days are especially busy. I do love it.
There is an associated shop and we are able to leave some items for sale in the gift shop area and on the days we attend we can bring in, and set up, a bigger display. I usually demonstrate painting on silk, small paintings which I later put into cards, frames or various jewellery settings.
People who are unfamiliar with silk painting enjoy seeing a different art medium being used and those familiar with silk painting are often intrigued with my preference for a watercolour technique using no resist or antidiffusant of any type. I love the flow of the dyes and the serendipitous aspect of the way the paintings evolve. No two are ever the same. I had been painting for days at MW when it was time to post my final artists’ challenge day so silk painting was a natural choice.
Tulip scarf and matching scarf brooch/pin. painted for the Tulip Festival in NW Tasmania (Wynyard) 2013
Free Sopirits…. poppies are my favourite flower to apint on silk. Watercolour technique, allowing free movement of dyes but careful brush selection.
silk pendant. Watercolour technique original miniature painting, bonded to 50mm clear glass dome cabochon. Wearable art.
Yesterday I posted 12 silk scarves which I painted for the Tasmnanian Society for the Gifted. …. a commission for the committee to wear at their forthcoming state conference. I forgot to photograph all of them but this one gives an idea of the “same but different” scarves… all individually handpainted. What a great way to identify the committee.
Tasmanian Association for the Gifted
And on Saturday I will deliver the painting of Goat Island. Of the three watercolours I did from which the commissioner could select, she chose the one I, and all my students, preferred….. the island appeared closer which made for a more dynamic composition.
These works are examples of what can be purchased at the Makers Workshop in Burnie in the next two days. Then some will come back to the studio. A few will replenish stock at On TRAK at the Visitors Centre in Sheffield on Thursday…. and of course you can contact me to order…all easy to post. Each is an original unique artwork, not reproductions/prints
I went to another crochet session with Adrienne through Leven Regional Arts arising from the Hooked project and I too am becoming hooked. I used to do a lot of crochet many years ago and am rather enjoying making hats. I have added embellishments with my handpainted silk brooches/scarf.
With the Makers Workshops in Burnie promoting me as a watercolourist specializing in silk painting I have been focusing my efforts lately on more silk works. Here is a sample…. a tie with geometric design of flat areas of colour contrasting with the lovely patterns of the salt technique, silk scarves (always popular) with free flow colour and floral designs of garden flowers using gutta , matching brooches/scarf rings to hold the scarf in place or wear as a complementary accessory, one only silk pendant of a tiny painting under kiln formed system 96 glass, one large soft lightweight shawl in vibrant autumn tones (sold) and cards combining encaustic with silk fibres …… more to come.