Geological influence in painting


Acrylic on Canvas, Sarah Anne Rocks, Tarkine Coast, Tasmania

Acrylic on Canvas, Sarah Anne Rocks, Tarkine Coast, Tasmania

Geo-artscape, Tarkine of the amazing geology of Sarah Anne Rocks of the Tarkine area, Tasmania’s west coast, is the latest painting from my Easter participation in Tarkine in Motion. The event currently has an incredible selection  of photos on display at the Salerno Gallery in Sydney.
This painting is an acrylic on gallery stretched canvas, using texture media to add to the indication of the sharp edged layers of contorted strata. The lichen crust on these rocks ranges from vivid orange to ochres and greenish white.
This region is exposed to the roaring 40s weather system…. it is wild and raw and a visit is truly invigorating. For artists, scientists and conservationists alike this region is very special.
This artwork captures what I feel from the area.
It is for sale and will be on display at Devonport Regional Art Gallery from Friday 15th May for 3 weeks. Price on request. (size 91cm x 61cm)

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Birds in watercolour… flame robin


The flame robin is one of our beautiful, colourful small birds in Tasmania. Although we do not get them in our garden, a friend, Natalia, in nearby Wilmot has resident, chubby, “robin red breasts”. Natalia, took the photo from which I have painted this robin in watercolour. I am lucky that she is so good at taking clear photos and has permitted me to use her image for reference. Still a little twigging to do on this work in progress, and the decision on whether to create a background (if I do I usually design my own, often incorporating our Australian eucalypts). What do you think?
No background emphasises the shapes of the negative spaces and offers no competition to the subject, so the viewer focuses solely on our little feathered friend.
Background gives a sense of place, can lead the eye on a journey and offers more interest in colour and design.

Watercolour, flame robin, a work in progress

Watercolour, flame robin, a work in progress

Pelican, watercolour, air blowing technique again


Pelican… w:c air blow methodLast night I came across this photo of a watercolour of a pelican which I did a year or so ago using the same process mentioned in the previous post. This one sold rather quickly but I had intended to do a seies of birds in this manner. As often happens other things took over. Maybe this time if I find a good, appropriate place to have an exhibition I will be inspired to produce a collection of these. I do so enjoy the process and the bit of mystery and movement of the end result. Satisfies both my love of careful rendition and drawing…. my Science/Biology background…. and my love of playing with paint effects in a fluid and creative manner…. my “wild”, emotional art side.