BURNIE SHINES workshops. Drawing and Painting….. Beach Combers Collections. Including using Inktense Pencils. Draw and paint shells, rock, seaweed with tutor Evelyn Antonysen. Sunday October 7th. Book at the Makers Workshop. Also on Saturday September 13th Free flow wet-in-wet watercolour (beach) and Sunday 14th a little bit of Zen doing Sumi E (Chinese brush painting). Learn how to handle a brush with sensitivity to make a wide variety of marks. Grind your own Sumi Ink.
Some months ago I posted a half completed image of bull kelp worked in Derwent Inktense and watercolour pencils. Today I have the finshed work (photographed after framing to go to the Eskleigh art exhibition. This means the photo is not as good as it coud be due to the glass). For the wide bit of kelp in the front I took advantage of the texture of the paper to suggest sand. I did not dissolve the pencil marks much in order to retain the sand look. This contrasted with the main tubular kelp to the left in which I completely dissolved the pigment. The use of Inktense exaggerates the colour and adds to the abstracted quality of this unusual subject.
The second work showcases some of my collection of shells and “invented” rounded beach stones. The colours here are more natural. I love giving the illusion of 3D on a flat 2D paper surface. I have even found myself at times, when packing up, glancing across and going to pick up a shell to find it is an illustration. You will notice that my collection includes many broken shells. I love their internal structure (especially spirals) and the holes. .Perceived imperfections offer the opportunity to find alternative positives (much like with people). I started this work in November 2011 and have just one shell to complete (a small abalone, mother-of-pearl side showing) The work has been sold which makes me a bit more anxious about not mucking up the final shell!
Yesterday I worked on a watercolour of one of my favourite subjects… the energy and movement of the sea as it impacts on rocks… a painting which always makes me feel alive as I do it as I “feel” the movement of the wave and the solidity and strength of the rock. The people present did not see the finished work as we had several activities going. Theo and Arthur explored Inktense pencils…… both visiting Tassie in motorhomes, the medium is perfect for those on the move. Arthur also discovered the advantage of a solid sumi ink stick and stone…. no spills and it lasts “forever”. Being a good at drawing, ink and inktense wash suits the style of these men.
Lynne did magnificantly vibrant bookmarks, full of colour. Not having done art before, she bravely explored wet in wwet watercolour with koh-i-noor intense colours.
Sue, an experienced artist, bravely painted the sea wave explosion on Fabriano torchon extra rough paper. She came to learn about the textural effects which can be obtained on the surface. So different to her usual Saunders Waterford paper.
The slide show is of some other students’ works in oil pastel, Inktense (including one on silk) and Watercolour (using the pouring technique for the background). Unfortunately I am usually to busy to remember to phtograph work. at classes and workshops.
I am back home, many hundreds of photos later. Loads of inspiration. Wonderful catching up with family and friends. Now busy with commissions (bad luck about Christmas). Spent last night organising New year art sessions. I spaced this lot more (hope it suits Natalia).
Includes Inktense Pencil (Jan 21), Watercolour with a Zen influence (Jan 27), Silk Painting Feb 3, Finger Painting for Adults 6 Feb, Kiln formed Glass 17 Feb, 3D with Polymer Clay 23 Feb. For more details see post Dec 24 or ph 03 64282675 or leave a message and I will email you.